Showing posts with label amazing. Show all posts
Showing posts with label amazing. Show all posts

10.07.2011

Cloudland Canyons/Lichens - Exterminating Angel 2008


36's 30min song reminded me of my favorite 30 (31:48) minute song.

do you like likenz? the first 20 minutes are just...peaking ambient tides, and then it goes full-on philip glass. i used to try to sleep to this when it came out, but i ended up wayyyy too excited by what was happening.

lichens is definitely in there, but post-omns and pre-S/T, meaning only a brief

eeeeeeeeeeeeeeeeeeeeeeee
........................eeeeeeeeeee
eeeeeeeeeee.......................... eeeeeeeeeeeeoooooooooooeeeeee
........................... eeeeeeeeeee


enters the fray. most of his contribution seems...shaping and formative. but i havent heard other cloudland canyons, so im doing that now.

make no mistake, this single song really does sound like a complete album. it has near 10 distinct parts and never overstays.

this song makes me realize exactly what is sitting within the last 5 minutes of GYBE - east hastings.


http://www.mediafire.com/?fhckz5jmnzv

8.25.2011

Sleep Research Facility - Nostromo 2001



so this is his first album (of three, ending with Deep Frieze 2007), and it's....well, ostensibly it's a concept album. each track is a deck of the Nostromo from Alien, ive heard.



maybe i wasnt watching the same movie, but i remember most scenes of the nostromo being fraught with loud and sudden mortal terror. SRF's Nostromo feels more like the sense of dread that could accompany deep space isolation (which, okay, is where much of the suspense in the movie comes from, but the movie also relies on people being eaten and wailing on androids and cattle prodding jones), maybe more like the icarus 2 or the fruity space station full of george clooney's problems in solaris. je ne sais pas.



moreso than deep frieze, this sounds a lot like tor lundvall (vise versa, whatever). its very mechanical. like, VERY mechanical. the bass really stands out; it has the slight pulsing stagger of engines that have run for too long.



moreso than deep frieze, this one is slightly too disconcerting to sleep to, although it is fucking exhausting (in a good way). jesus even thinking about actually producing these songs makes me imagine him drenched in sweat and breathing hard (omg b0n3r). maybe thats just what drone state does to me (potential at 15min22 felt like maybe 3 minutes to make, i awoke afterwards sweaty, drooling, and upset. i had to catch droplets from entering the mic while singing on density of self). if you have some decent headphones, open a window and listen to this loud. the crickets are starting to oscillate pitch in polyrhythm.





update: wikipedia is crushing it on the topic





"SleepResearch_Facility consists of the single band member Kevin Doherty. His music usually contains no rhythmic elements (one exception is "2.5" on Dead Weather Machine), but instead relies on spacious, extended, richly-textured sounds. Occasionally, true 'musical' elements appear in his work, such as sustained chords (in "c-deck" on Nostromo for example), but the majority of his compositions consist of evolving layers of manipulated noise and mechanical drones. He deliberately attempts to avoid any sonic elements which would be likely to disturb a sleepy or sleeping listener, such as sudden loud noises.[2]

The music of SR_F is also intended to create an aural environment which allows listeners to let their thoughts drift, being gently guided (instead of forced) by the music.[3] The following advice is provided for listeners: "recommended playback level: just above quiet". A more detailed overview of SR_F can be found on the info page of the official website.

The works of SR_F are inspired by power stations, distant motorways, certain sci-fi movies (eg. Alien) and various aspects of nature, including thunderstorms, empty frozen tundra, deserts, jungles and rushing water.[2][4] Two complete albums (Dead Weather Machine and Dead Weather Machine Re:Heat) were based entirely on the manipulation of a three minute recording of a malfunctioning Dimplex electric fan heater.

So far, all albums by SR_F have been produced or engineered at Somnambu-Lab (also spelled Somnambulab) in Glasgow.[5] The correct spelling of the artist's name is SleepResearch_Facility, but Sleep Research Facility is a commonly seen variation."



i know none of you are listening to this stuff, but this guy is a dronemage.













1. A / Deck

2. B / Deck

3. C / Deck

4. D / Deck

5. E / Deck



http://www.mediafire.com/?mqqqzfui2yz

8.13.2011

Between The Buried And Me - Alaska 2005





for TJ, because you once revealed that you didnt have it. i dont know if you do now, because that was a year ago, but still. cmon. even the navy used part of one of these songs for an ad. i was pissed.



anyway, i listen to all bodies twice a day. EVERY FUCKING DAY. it doesnt top colors, because nothing much does, but its close.



1.- All bodies

2.- Alaska

3.- Croakies and boatshoes

4.- Selkies the endless obsession

5.- Breathe in, breathe out

6.- Roboturner

7.- Backwards marathon

8.- Medicine wheel

9.- The primer

10.- Autodidact

11.- Laser speed



http://www.mediafire.com/?jwwimctvtin

8.10.2011

Pensées Nocturnes - Ceci Est De La Musique 2011



one of the weirder things ive heard. i dont remember if they...he is LLN or not. MA says no. if you like your hour long songs with occassional oboe, cuckoo-clock noises, blastbeats, and ecclesiastic moaning, here you go. i think he manages to include every instrument ever.



cover art does a pretty apt job. its impressive as hell. the transitions between sounding like agalloch, nyktalgia, and a cathedral with a demented circus in it arent exactly fluid, but its an hour long. it can afford to be spacious. i wonder if there's like...sheet music for it. like 'oh yes, sebastian, i was hoping for more emotion from the 4-second saxophone noodle at 23.6 minutes. can we take it again from measure 473? and-a-one, and-a-two-'. theres just...SHIT HAPPENING EVERYWHERE. and then theres breathy symphonic interludes, which are actually really well done, and then suddenly *strings exit, include the sound of people cheering, cuckoo clock noise, blastbeat, strings reenter, guitar...enter piano, howling vocals, fermata, timpani roll, enter pipe organ, begin next section*. like at 41:30. where did this come from?! its like a crash master course in being really fucking good at music.



remember in the ocean - precambrian how they would just be like NOW HERES A RIFF WITH XYLOPHONE OVER IT? its like that, constantly, in smaller chunks, for 55 minutes. its the opposite of boring, in the way that french black metal usually is.



1. Ceci est de la Musique 54:56



http://www.mediafire.com/?436beaxsupeu3we