Showing posts with label experimental. Show all posts
Showing posts with label experimental. Show all posts

6.10.2012

Liars - WIXIW 2012


i kinda want to crowdsource the review of this, but community-based efforts have like a 3% success rate around here. so that's all you get.

here's the VICE review, anyway:

"The title of this perfectly perfect record is pronounced “wishyou” as in “I WIXIW could live inside this album,” or “I WIXIW guys would do this more often,” or maybe even “I WIXIW would tell me what drugs IW took and where IW get them.” Seriously, this thing plays like a soundtrack to The Magic School Bus book where the kids take a bunch of ludes and drive the bus into the ear of a guy who put himself into a Robitussin coma. Then, the battery on the bus dies and the kids have to find their own way out. Spoiler: They do not make it."

1."The Exact Color of Doubt" 4:07
2."Octagon" 4:38
3."No.1 Against the Rush" 5:10
4."A Ring on Every Finger" 3:18
5."Ill Valley Prodigies" 2:03
6."WIXIW" 6:12
7."His and Mine Sensations" 4:40
8."Flood to Flood" 3:30
9."Who Is the Hunter" 3:47
10."Brats" 3:02
11."Annual Moon Words" 2:37

rs

5.15.2012

Pavel Dovgal - Cassiopeia 2010


update: this is paul's from 12/13/10, but i never got it before he removed the link following our proxy war with that one asshole. i have a different review, but if you just read the track titles and know that the last song (LA) is half of a fancy mike song, youll get the idea.

Background-y dubstep, feels like intermission music or something. It's really fuckin short though so it's not hard to give it a listen. I quite like Sacred Chants of Shiva. The genre tag on one of the digital outlets carrying this calls it "Skweee/Wonky/Aquacrunk". Lolwut? I certainly didn't feel trapped in an aquarium or felt it was particularly drippy/bubbly/wet. But now I am determined to find tr00 aquacrunk.

Ahu Tongariki (Road To...)
Girango
Quant Magic
Lyra Bird
Parade Your Planets
Sacred Chants Of Shiva
Blue Phoenix
Andromeda
Solar Midnight
LA

19991

2.08.2012

Ghastly City Sleep - Ghastly City Sleep (2007)


01. Ice Creaks
02. Hushing Weight
03. Suchness
04. Subtle Disaster

here here.

“when the sky is as grey as this - impeccably grey, a denial, really of the very concept of colour - and the stooped millions lift their heads, it's hard to tell the air from the impurities in our human eyes, as if the sinking climbing paisley curlicues of grit were part of the element itself, rain, spores, tears, film, dirt. Perhaps, at such moments, the sky is no more then the sum of the dirt that lives in our human eyes.” - Martin Amis, Money

White Hinterland - Kairos (2010)


01. Icarus
02. Moon Jam
03. No Logic
04. Begin Again
05. Bow & Arrow
06. Amsterdam
07. Thunderbird
08. Cataract
09. Huron
10. Magnolias

I fully intend on listening to the opening track on repeat until my dick falls off from excessive swelling. Which could be from anywhere between 73 seconds and forever.

Download here.

2.05.2012

Death Grips - Ex Military (2011)



The extreme power coursing through this is nauseating. this is what it would sound like if ODB recorded all his vocals high on cocaine in a underground bomb shelter. RAW AS FUCK

1. Beware
2. Guillotine
3. Spread Eagle Across the Block
4. Lord of the Game
5. Takyon
6. Cutthroat (Instrumental)
7. Klink
8. Culture Schock
9. 5D
10. Through the Walls
11. Known For It
12. I want it I need it
13. Blood Creepin

10.09.2011

Marina Rosenfeld - Plastic Materials 2009



HOLY FUCKING SHIT

AAAHAHHHRRRRRRNNNNNN

WWWWWWWWWWWWHHHUUUUUUUUUUUUUUUUAAAAATTTT THEEE FUUUUUUUUCCCCCK




the midpoint between grouper and runhild gammelsæter. and basinski. and what frank poole must have been hearing as his oxygen emptied into space.

"In my imagination, Plastic Materials sounds like an strange autopsy where the deceased is part robot, part creature from another planet and each progressive incision opens new caverns of spiraling innards that are both structurally amazing and kind of freaky. There is even an ever present sterility of steel tables and clean instruments to the whole thing. The album is bizarre in the most fascinating way. Rosenfeld’s doesn’t actually use any knifes in the creation of her work, but still manages her fair share of cutting by the heavy use of turntables and sampled voices (both talking and singing out of tune) cut up with medical precision. In addition to the re-emerging vocals, Rosenfeld has crafted a moody sub-noise aesthetic that incorporates turntable tics and spasms along with other electronic mumbling which flow in and out of piano tinkering and other unidentifiable transmissions."

knifes? if there's a pitchfork review of this album, i dont want to fucking know about it.

give to me your LSD's.

1. Conversation
2. "Cuz I Cannot Find My Way..." (Teenage Lontano 1)
3. In F
4. Rings/Black Circles (Version)
5. Formal Arrangement
6. "I Treated Myself... Like I Knew I Would..." (Teenage Lontano 2)
7. Locus
8. "Hey, Girls (It's Not an Issue for You...) " (Teenage Lontano 3)
9. Sweetest Sensation


http://www.megaupload.com/?d=SV4743MC

10.02.2011

WU LYF - Go Tell Fire to the Mountain (2011)


01. L Y F
02. Cave Song
03. Such a Sad Puppy Dog
04. Summas Bliss
05. We Bros
06. Spitting Blood
07. Dirt
08. Concrete Gold
09. 14 Crowns For Me & Your Friends
10. Heavy Pop

For me, autumn always rouses an acute craving for indie music, so this morning I went scavenging and found WU LYF. I was kind of hoping they were somehow relevant to Wu Tang, but alas, they're just a bunch of hipsters out of Manchester. I'm not just calling them hipsters because of their music (though that could definitely warrant the label), but because, well... Here's what their Wiki page says:

WU LYF (pronounced "Woo Life", stands for "World Unite Lucifer Youth Foundation") are a band from Manchester, England that originally became known for creating a mystery about themselves by declining requests for interviews and not releasing much information to the press. The band describes their music as "heavy pop".

The "World Unite Lucifer Youth Foundation" recorded this album in an abandoned church; they say it's because they "didn't like the studio acoustics," but I believe they did it to be ironic, and everyone knows that to be ironic is to be a hipster. Additionally, they made a solid point of being mysterious (via "carefully designed anonymity," according to The New York Observer), AND they're trying to coin their own genre. Hip! Hip!

Hipster accusations aside, this album is fucking great. Instrumentally, this reminds me of a poppier, more melodic Battles. The vocals are really different (I think) and overall, the abandoned church thing works really well for them. I bet seeing them live would be fucking phenomenal, and given the opportunity to see them, I'd probably be hoarse for at least a week following. Highly recommend this one.

Get it.

8.08.2011

Runhild Gammelsæter - Amplicon 2008

"

Runhild Gammelsaeter is a beast. She contorts her vocals to sound unreal, more ill-tempered than any horror film villain. Her intuitive sense of experimentation is profound, surpassing any female vocalist in metal. With her first solo album, Amplicon (Utech, 2008), Gammelsaeter exceeds expectations based on her work in Thorr’s Hammer and Khlyst. Putting forth her Ph.D. knowledge of cell physiology, she flavors Amplicon with ideas from physics, chemistry, and biology. Amplicons are pieces of DNA produced from organic or naturally occurring events, like evolution. As if producing music for something nonhuman, Gammelsaeter goes beyond human comprehension with frightening power.

Amplicon highlights her many demented voices. She deprives the album of rhythm, which she clearly demonstrates in the first track. “Collapse – Lifting the Veil” reveals Gammelsaeter’s schizophrenia. Her folk singing is uplifting, but her roar hammers that beauty to the ground. She then turns werewolf in “Expanding the Universe.” Her heavy growl and desperate whispering proves her pluck; no black metal frontman could top this terror.

With the production of Ulver’s Tore Ylwizaker, Gammelsaeter puts forth sounds that keep the mind anxious. “Incubation” invites avant-garde listeners with warped vocals and toy keyboards. Gammelsaeter creates comas: hospital beds, blurred vision, impaired hearing. She speaks incomprehensible words, finally hushing the turmoil away after four minutes. There isn’t anything out there as terrifying or enjoyable as this.





01. Collapse - Lifting The Veil

02. Expanding The Universe

03. Life

04. Evolution

05. Incubation

06. Birth

07. Coming To

08. Love

09. Senesence

10. Dying

11. Void



http://www.mediafire.com/?uhy4coomstv


6.10.2011

Battles - Gloss Drop (2011)



Shiny and new! Intricate and funky! Get it here.

And if you don't have their album "Mirrored," you should probably get that too.

5.05.2011

Boxcutter - The Dissolve 2011


i was kind of hoping for an entire album of rusty break, but this is real cool. like if break science just made jazz, or fancy mike always had to play in the dark, or tycho went from one guy to 5, two of whom were from tera melos.

recommended for hananah and grossnickle.


1. Panama
2. Zabriskie Disco
3. All Too Heavy (feat. Brian Greene)
4. Cold War (vs. Ken & Ryu)
5. Passerby
6. TV Troubles
7. The Dissolve (feat. Brian Greene)
8. Moon Pupils
9. Factory Setting
10. Allele
11. Topsoil
12. Little Smoke Remix (vs. Kab Driver)
13. Ufonik (feat. Brian Greene)

http://www.mediafire.com/?y16rch88ia1koge

11.05.2010

Tipper - Broken Soul Jamboree

This is the most mellow, somber, relaxing downtempo release from Tipper and it has a noticeable absence of rap battling frogs. Instead, I imagined myself floating down an incandescent river on an enormous lilly pad composed entirely of fractals, face down, tops of my fingers drifting through the water, with hidden mechanical frogs and other jungle animals shitting lasers and croaking wobbles at me while I indolently drifted past crystal forests, glass vegetation and frozen marshes. The song Dead Soon pretty much sums that description up. I wish this was the background music for FFXIII.





01 - Big Question Small Head
02 - Cuckoo
03 - Class 5 Roaming Vapour
04 - Brocken Spectre
05 - Dead Soon
06 - Cinder Cone
07 - Herriot Method
08 - Neuron Huskie
09 - Tit For Tat
10 - Reality Harshness Defender
11 - Royal Dragon Sir
12 - Hourglass Infringement
13 - Ever Decreasing Circles

Listen to it before bed!!

10.31.2010

Amon Tobin - Monthly Joints Series


This is some of the best IDM I have heard. Amon Tobin knows how to make the weirdest sounds and mash them all together in really unique sounding songs. Delpher and Hey Mr. Tree really stand out. Also check out the collab with Eskmo "Eskamon". They haven't done much yet but it's interesting stuff.


01. Delpher
02. Shut Down
03. It's A Lovely Night
04. Trickstep
05. Eight Sum
06. At Work
07. Technique
08. Dualistic
09. Twelvses
10. Hey Mr. Tree


10.29.2010

Comma - Carry the Fire EP


Downtempo, glitch-hoppy, experimental, easy listening stuff. Pretty good for background/sleep/homework


01 All Gods, All Masters - 4:06
02 Coyote - 4:22
03 Carry The Fire - 5:26
04 Holodeck - 4:10
05 All Gods, All Masters (EPROM Remix) - 2:56



9.27.2010

Opiuo- Slurp and Giggle


Signature Opiuo sound and tempo.. still really good stuff though

1. Introvenus
2. Robo Booty
3. Creamy Taco
4. Brain Blow (feat Sunmonx)
5. Off Chops (feat Jess Chambers)
6. Tender Wrinkle
7. Water Mouth (feat Sunmonx)
8. Patchouli Dump Truck
9. Myrtle The Turtle
10. Loist Moinal
11. Spanners
12. Petrichor
13. Slurp & Giggle Album Mix

provides the album in mix form as well. awesome


6.30.2010

Tom Waits - Rain Dogs (1985)




This is possibly one of my favorite albums of all time. The eerie soundscapes, the off-kilter percussion and horn selection, the vocals that sound like a barrel full of whiskey-soaked gravel being set aflame and devoured... everything about it is absolutely stunning!

Tom Waits' personal best (in my opinion), although it could be his most inaccessible work, right up there with Swordfishtrombones. Listen to it, and hate it. Listen to it more and more and more and learn to never want to stop listening to it.

claphands.

5.05.2010